The Ke Museum of Fine Arts in Shanghai has purchased Marc Leuthold’s Ivory Accretion for its permanent collection, following the exhibition “Encounter: Shanghai Contemporary Ceramics Experimental Art.” 24 Chinese and 8 foreign artists were invited to participate in the exhibition. In a press release, the exhibit was described as a collision of various camps in the evolving arena of avant-garde ceramics. Li Xiaoshan, Zhao Peishang, and Yuan Hong co-curated the exhibition.
Mixed media installation at Wutong Art Museum, Shanghai, part of an invitational group exhibition curated by Xiaodan.
ART LABOR Gallery is pleased to present the dual solo exhibition by American artist Marc Leuthold and Chinese artist Li Lihong. The exhibition is from September 21st to October 27th, 2019. The opening reception is from 6 – 9 pm, Saturday, September 21st.
Both artists are renowned in the field of ceramic art, yet distinct with their own unique atheistic. Entitled “Hand and Machine”, the exhibition is a conversation between the handmade and machine creation, as well as a conversation between the two artists exploring Eastern and Western cultural influences.
Marc Leuthold has a long interest in Eastern philosophy, and this eastern aesthetic is embodied throughout his creations. On the contrary, Li Lihong, born into a long family line of porcelain artisans tracing back to the emperor Tong Zhi in the early Qing Dynasty, has been focusing on exploring temporary porcelain under the influence of western pop art and consumer culture. Both artists are grounded within the cultural contexts of their upbringings, while searching for expressions through the other.
Through this medium of clay, Leuthold’s works are a play between the soft and hard, and the fluid and crystalline. An element of surprise occurs in his studio, sometimes yielding unexpected forms, surfaces and colors. This leads to re-invention and experimentation. Even when repeated, forms are inherently unique. His ceramic sculptures, most often, are discrete objects that are exhibited sometimes singularly and sometimes in dialogue with one another in installation environments. In these environments, the artist often incorporates other media such as wood, glass, paper, ink paintings, bronze and literary texts.
After years of hand making all his sculptural works, Li Lihong started experimenting with ceramic 3-D printing last year. Blending the cutting edge technology into his practice, creating artwork that plays with the new possibilities while testing its limitations is what intrigues him the most. Even with the machine, the seemingly unified sculptural form is still hard to find. With 3-D printing, each piece expresses its own uniqueness through inimitable “line prints”, upon close observation, the stereotypical notion of repetitiveness and uniformity dissipates, making us dive deep into and question the concepts of hand verses machine, monotony verses diversity, command verses free will.
Marc Leuthold has submitted a public art proposal for the high-end talent training center of the Shanghai Institute of Visual Arts, SIVA. The proposal is for two rooms, standard and deluxe, four plans total.
The 18-meter-wide sculptural installation, Spirit, is a combination of ink paintings and objects. Many of the porcelains depict silhouettes of women. A few of the discs depict the silhouette of Master Su, a leading ceramic 4th generation artist in Dehua, China.
Spirit is on display as part of the “Beyond Ink” exhibition at the prestigious China Art Museum in Shanghai until December 5.